ืื—ื™ื• ืฉืœ ืืฉืžื“ืื™ / ื‘ื•ื ื” ืชื™ืจื•ืฉ / ืคืจื“ืก

ืื—ื™ื• ืฉืœ ืืฉืžื“ืื™ / ื‘ื•ื ื” ืชื™ืจื•ืฉ / ืคืจื“ืก

ื‘ืžื•ืกื“ ืกื’ื•ืจ ื™ื•ืฉื‘ ื‘ืชื ืžื‘ื•ื“ื“ ืื™ืฉ ื”ืงื•ืจื ืœืขืฆืžื• ืฉืœืžื” ื”ืžืœืš ื•ืขื•ืฉื” ื”ื’ื”ื•ืช ืœืžื”ื“ื•ืจื” ื—ื“ืฉื” ืฉืœ ืฉืœื•ืฉืช ืกืคืจื™ื• โ€“ ืžืฉืœื™, ืฉื™ืจ ื”ืฉื™ืจื™ื ื•ืงื”ืœืช. ื”ืกืคืจ ืžืชืืจ ื‘ืื•ืคืŸ ืœื ืจื™ืืœื™ืกื˜ื™ ืืช ื”ื™ื•ื ื”ืื—ืจื•ืŸ ื‘ื—ื™ื™ื• ืฉืœ ื”ืื™ืฉ, ื”ื™ื•ื ืฉื‘ื• ื”ื•ื ื—ื™ื™ื‘ ืœืžื ื•ืช ืœืขืฆืžื• ืกื•ืฃ-ืกื•ืฃ ื™ื•ืจืฉ.

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ืื ื™ ื“ื‘ืจื™ื ื›ืืœื” ืžื—ื‘ื‘ / ืจืžื™ ืœื‘ื ื™ / ื”ื•ืฆืืช ืคืจื“ืก

ืื ื™ ื“ื‘ืจื™ื ื›ืืœื” ืžื—ื‘ื‘ / ืจืžื™ ืœื‘ื ื™ / ื”ื•ืฆืืช ืคืจื“ืก

ืžื”ื™ ืžื•ื–ื™ืงื” ื™ืฉืจืืœื™ืช? ื”ืื ื™ืฉ ืžืฉื”ื• "ื™ืฉืจืืœื™" ืžืฉื•ืชืฃ ืœืืจื™ืง ืื™ื™ื ืฉื˜ื™ื™ืŸ ื•ืœื™ื”ื•ื“ื™ืช ืจื‘ื™ืฅ, ืœืœื”ืงืช ื›ื•ื•ืจืช ื•ืœื—ื•ื” ืืœื‘ืจืฉื˜ื™ื™ืŸ, ืœืฉืœืžื” ืืจืฆื™ ื•ืœืžืชื™ ื›ืกืคื™, ืœืžืฉื™ื ื” ื•ืœืฉืœื•ื ื—ื ื•ืš, ืœืืจื™ืืœ ื–ื™ืœื‘ืจ ื•ืœื ื•ืจื™ืช ื’ืœืจื•ืŸ, ืœืื”ื•ื“ ืžื ื•ืจ, ืœื™ื”ื•ื ืชืŸ ื’ืคืŸ, ืœืจื—ืœ ืฉืคื™ืจื ื•ืœืจื‘ื™ื ืื—ืจื™ื?

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ื”ื›ื•ืœ ื ืฉืืจ ืฉื / ื’ืœ ืฉืงื“ื™ / ืคืจื“ืก

ื”ื›ื•ืœ ื ืฉืืจ ืฉื / ื’ืœ ืฉืงื“ื™ / ืคืจื“ืก

ื–ื•ื”ื™ ื™ืฆื™ืจื” ืžืฉื•ืชืคืช ืฉืœ ื ื›ื“ ื•ืกื‘ื. ื”ืกื‘ื ืกื™ืคืจ, ื•ื”ื ื›ื“ ืื™ื™ืจ. ื–ื•ื”ื™ ื ื•ื‘ืœื” ื’ืจืืคื™ืช ืฉืžืืคืฉืจืช ืžืคื’ืฉ ื‘ื™ืŸ ื“ื•ืจื•ืช ื•ื‘ื™ืŸ ืžื“ื™ื•ืžื™ื. ื”ืกื‘, ืžืื™ืจ ืจื•ื‘ื™ืŸ (2003-1913), ื”ื™ื” ื’ื‘ืจ ืฆืขื™ืจ, ื™ื”ื•ื“ื™ ืคื•ืœื ื™, ื‘ื™ื•ื ืฉืคืจืฆื” ืžืœื—ืžืช ื”ืขื•ืœื ื”ืฉื ื™ื™ื”. ื—ื™ื™ื• ื›ืคื™ ืฉื”ื›ื™ืจ ืื•ืชื ื ื—ืจื‘ื• ื‘ืื—ืช, ื•ื”ื•ื ื”ืชืขื ื” ื‘ื’ื˜ื•, ื‘ืขื‘ื•ื“ื•ืช ื›ืคื™ื™ื” ื•ื’ื ื‘ืื•ืฉื•ื•ื™ืฅ.

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ืœืื•ืงื™ืคื” ื•ืงืœื™ื™ื˜ื•ืคื•ืŸ / ืื›ื™ืœืก ื˜ื˜ื™ื•ืก / ืคืจื“ืก

ืœืื•ืงื™ืคื” ื•ืงืœื™ื™ื˜ื•ืคื•ืŸ / ืื›ื™ืœืก ื˜ื˜ื™ื•ืก / ืคืจื“ืก

ืงืœื™ื™ื˜ื•ืคื•ืŸ, ื‘ืŸ ื˜ื•ื‘ื™ื ืžึดืฆึผื•ึนืจ, ืžืชืื”ื‘ ื‘ื‘ืช ื“ื•ื“ื• ื”ื™ืคื”ืคื™ื™ื” ืœืื•ืงื™ืคื” ืฉืžืชืืจื—ืช ื‘ื‘ื™ืชื• ื›ืคืœื™ื˜ืช ืžืœื—ืžื”. ืืœื ืฉืงืœื™ื™ื˜ื•ืคื•ืŸ ืžืื•ืจืก ืœืื—ืจืช. ื”ืื•ื”ื‘ื™ื ื‘ื•ืจื—ื™ื ื›ื“ื™ ืœืžืžืฉ ืืช ืื”ื‘ืชื ื•ื‘ื“ืจืš ื ืงืœืขื™ื ืœืกื“ืจื” ืืจื•ื›ื” ืฉืœ ืชืงืœื•ืช ื•ืžื‘ื—ื ื™ื.

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Upside Down Trees / Israel Hameiri / Pardes

Upside Down Trees / Israel Hameiri / Pardes

ืฉื’ืจืช ื”ืงื™ื•ื ื”ืืคืจื•ืจื™ืช ืฉืœ ื‘ื ื™ ื–ื•ื’ ื‘ื‘ื™ืชื ื‘ืžื•ืฉื‘ ื‘ืฆืคื•ืŸ ื”ืืจืฅ โ€“ ืจื’ืข ืœืคื ื™ ืคืจื•ืฅ ืžื’ืคืช ื”ืงื•ืจื•ื ื” โ€“ ืขื˜ื•ืคื” ื‘ืจื•ื‘ื“ ืฉืœ ืืคืœื” ื•ืžืกืชื•ืจื™ืŸ, ื”ื ื—ืฉืฃ ื‘ื”ื“ืจื’ื” ื“ืจืš ื”ืขื™ืกื•ืง ื‘ืขื‘ืจ ื”ืžืขื™ืง. ื ื—ืฉืคื™ื ืชื”ื•ืžื•ืช ื”ื—ื™ื™ื ื•ื—ื™ื™ ื”ื ืคืฉ ืชื•ืš ื”ื‘ื–ืงื™ ื”ืขื‘ืจ, ืคืœืืฉื‘ืงื™ื ื•ืžืขืงืคื™ื ืฉืžืืคืฉืจื™ื ืœื”ื‘ื™ืŸ ืืช ื”ื”ื•ื•ื”.

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ืฉืžื™ื›ืช ื˜ืœืื™ื ืฉืœ ืฆื™ืคื™ื•ืช ื ืžื•ื›ื•ืช / ื™ืขืœ ื–ื™ื™ื“ / ืคืจื“ืก

ืฉืžื™ื›ืช ื˜ืœืื™ื ืฉืœ ืฆื™ืคื™ื•ืช ื ืžื•ื›ื•ืช / ื™ืขืœ ื–ื™ื™ื“ / ืคืจื“ืก

ืงื•ื‘ืฅ ืกื™ืคื•ืจื™ื. ื™ืœื“ื” ื‘ืช ืื—ืช-ืขืฉืจื” ืฉื—ื•ื•ื” ื“ื—ื™ื™ื” ืžืงื‘ื•ืฆืช ื”ื—ื‘ืจื•ืช ื‘ืžื•ืฉื‘ ื”ืžืฉืคื—ืชื™; ืฆืขื™ืจื” ืฉืžืฉืชื—ืจืจืช ืžื”ืฆื‘ื ื™ื•ืฆืืช ืœื—ื•ืคืฉื” ื‘ืื™ืœืช, ืฉื ื”ื™ื ืคื•ื’ืฉืช ืœืจืืฉื•ื ื” ื—ื•ื•ื™ื•ืช ืฉืœ ืขื•ื ื’ ืžื™ื ื™ ื•ืฉืœ ืžื•ื•ืช; ืื™ืฉื” ืขื•ืงื‘ืช ืื—ืจื™ ื”ืคืกื™ื›ื•ืœื•ื’ ืฉืœื” ื‘ื–ืžืŸ ืžืœื—ืžื”; ื‘ืชื• ืฉืœ ื—ืงืœืื™ ืืœืžืŸ ืขื•ื–ืจืช ืœื• ื‘ืžืฉื‘ืจ ืœื ืฉื’ืจืชื™; ืื ืœื™ืœื“ื” ืžื’ืœื” ืฉืื‘ ื‘ื›ื™ืชืช ื‘ืชื” ืžืช ื‘ืžืคืชื™ืข.

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ื™ืฉืจืืœ ืœื‘ื“ื” / ื‘ืจื ืืจ-ืื ืจื™ ืœื•ื™ / ืคืจื“ืก

ื™ืฉืจืืœ ืœื‘ื“ื” / ื‘ืจื ืืจ-ืื ืจื™ ืœื•ื™ / ืคืจื“ืก

ืžื ืงื•ื“ืช ืžื‘ื˜ื• ื”ื™ื™ื—ื•ื“ื™ืช ื›ืคื™ืœื•ืกื•ืฃ ื•ื›ืื™ื ื˜ืœืงื˜ื•ืืœ ืžื•ื‘ื™ืœ, ืžื ืชื— ืœื•ื™ ืืช "ื”ืจื•ืข ื”ืžื•ื—ืœื˜" ืฉื ื—ืฉืฃ ื‘ืฉื‘ืขื” ื‘ืื•ืงื˜ื•ื‘ืจ, ื•ืžืกืคืจ ื›ื™ืฆื“ ืื™ืจืืŸ, ืจื•ืกื™ื”, ืกื™ืŸ, ื˜ื•ืจืงื™ื” ื•ืืจื’ื•ื ื™ื ืืกืœืืžื™ืกื˜ื™ื™ื ืงื™ืฆื•ื ื™ื™ื ื–ื™ื”ื• ื”ื–ื“ืžื ื•ืช โ€“ ื•ื ื™ืฆืœื• ืื•ืชื”. ื”ืกืคืจ ืขื•ืงื‘ ืื—ืจ ื”ื“ืจืš ืฉื‘ื” ืื™ืจื•ืข ื”ื™ืกื˜ื•ืจื™ ืžื•ืจื›ื‘ ื–ื” ื”ืคืš ื‘ืชื•ืš ืฉื‘ื•ืขื•ืช ืœื’ืœ ืื ื˜ื™ืฉืžื™ ืขื•ืœืžื™.

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ืืœื / ืขืžืœื™ื” ืกืขืจ / ืคืจื“ืก

ืืœื / ืขืžืœื™ื” ืกืขืจ / ืคืจื“ืก

ืกืคืจื” ื”ืงืฆืจ ื•ืจื‘-ื”ืขื•ืฆืžื” ืฉืœ ืขืžืœื™ื” ืกืขืจ ืžืกื‘ื™ืจ ืืช ืžืงื•ืจื•ืช ื”ืฉื™ืชื•ืง ื•ื”ืฉืชื™ืงื” ืฉืœื ื• ื”ื™ืฉืจืืœื™ื ืืœ ืžื•ืœ ื–ื•ื•ืขื•ืช ื”ืžืœื—ืžื” ื‘ืขื–ื”. ื”ื™ื ืžืจืื” ื›ื™ืฆื“ ื”"ืืœื" ืฉืฉืงืขื ื• ื‘ื• ื›ื—ื‘ืจื” ืžื‘ื™ื ืื•ืชื ื• ืœื”ื›ื—ืฉื” ืฉืœ ืžืขืฉื™ื ื•, ืื‘ืœ ื’ื ืœื”ื›ื—ืฉืช ืื ื•ืฉื™ื•ืชื ืฉืœ ืืœื” ืฉืžื•ืœื ื•. ื‘ืžื•ืคืช ืฉืœ ืืงื“ืžื™ื” ืžืขื•ืจื‘ืช, ืกืขืจ ืžื™ืฉื™ืจื” ืžื‘ื˜ ืืœ ื”ืžืฆื™ืื•ืช ื”ืกื‘ื•ื›ื” ื•ื”ื‘ืœืชื™-ื ืกื‘ืœืช ืฉืœื ื•, ืžืฆื‘ื™ืขื” ืขืœ ื”ืื•ืคื ื™ื ืฉื‘ื”ื ืื ื—ื ื• ืกื‘ื•ื›ื•ืช ื‘ื”ื•ื•ื” ื”ื–ื”, ื•ื’ื ืžืฆื™ืขื” ื“ืจืš ืคืขื•ืœื”.

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ื›ืฉืžืชื™ ื—ืฉื‘ืชื™ ืขืœื™ื™ืš / ืจื™ื ื” ื–'ืืŸ ื‘ืจื•ืš / ืคืจื“ืก

ื›ืฉืžืชื™ ื—ืฉื‘ืชื™ ืขืœื™ื™ืš / ืจื™ื ื” ื–'ืืŸ ื‘ืจื•ืš / ืคืจื“ืก

ืกื™ืคื•ืจื™ื ืงืฆืจื™ื. ื‘ื—ื•ืจื” ืฆืขื™ืจื” ื ื•ืชืจืช ืœื‘ื“ื” ืื—ืจื™ ืžืชืงืคืช ื–ื•ืžื‘ื™ื; ืื™ืฉื” ื ืฉืœื—ืช ืœื—ืœืœ, ืžื•ืชื™ืจื” ืืช ื‘ื ื” ืžืื—ื•ืจ ื•ืื™ื ื” ืžืฆืœื™ื—ื” ืœืฉื•ื‘; ืขื•ื‘ื“ืช ืžื—ืงืจ ืขืชื™ื“ื ื™ ื ืขืœืžืช ืœืชื•ืš ืžื•ืฉื ื”ืžื—ืงืจ ืฉืœื”; ื‘ืช ื’ื•ืจืžืช ืœืืžื” ืœื—ืœื•ืช ื™ื•ืชืจ ื•ื™ื•ืชืจ ื•ืื™ื ื” ืžืกื•ื’ืœืช ืœื”ืคืกื™ืง; ื‘ืช ืื—ืจืช ื‘ื•ื—ืจืช ืœื”ืฉื™ื‘ ืืช ืื‘ื™ื” ืœื—ื™ื™ื ื›ื“ื™ ืœื ืงื•ื ื‘ื•.

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The Lanterns of the King of Galilee / Ibrahim Nasrallah / Pardes

The Lanterns of the King of Galilee / Ibrahim Nasrallah / Pardes

At the beginning of the eighteenth century, on the shores of the Sea of โ€‹โ€‹Tiberias, between the Galilee Mountains and Marj Ibn Amer, a young man from the common people began his ambitious life's work: liberating his country for independence and establishing an Arab state on the land of Palestine.

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The Little Mountain / Elias Khoury / Pardes

The Little Mountain / Elias Khoury / Pardes

'The Little Mountain,' published in 1977, touches on various aspects of the chaos left in Lebanon by colonial rule - the rifts between Christians and Muslims, the Palestinian refugee camps, and the battles between military factions - a country where everyone is stirring the pot, everything is fluid, and alliances change in an instant.

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Retreat / Vered Singer / Pardes

Retreat / Vered Singer / Pardes

The sole survivor of a pseudo-spiritual retreat held on a kibbutz on the shores of the Mediterranean Sea tries to find out why she survived while dozens of retreat participants died at the end of the day. Fact is stitched together until a poignant and courageous document is revealed about a bleeding Israel, about guilt and healing, about promise and falsehood, about fate and reality, and about family and friendship.

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