Go / Jonathan Berg / Persimmon

Go / Jonathan Berg / Persimmon

A journey between Jerusalem and Tel Aviv of a young man, Daniel, with a fondness for soft drugs, humor, and freedom. He moves between the Church of the Holy Sepulchre and the Western Wall, between the Geula neighborhood and the Mahane Yehuda Market, between Rothschild Boulevard and the Neve Sha'anan pedestrian street, between a demonstration and a meeting room, between a party by the sea and facing the sunset and encounters with police officers with their faces covered, and in the process, he presents a vivid picture of Israeliness filled with a sense of justice, self-pride, clichรฉs, and neuroses.

Read More  
Magical April / Elisabeth von Arnim / Persimmon

Magical April / Elisabeth von Arnim / Persimmon

Four women, all unhappy in their own way, in England in the 1920s, the days between the two world wars, decide to rent a medieval castle in Italy for a month in April. The four of them undergo a month of purification thanks to the magical effects of the paradise they have arrived in, as Lottie insists, who is the spiritual figure who will lead them all to a change that is all about love.

Read More  
First Steps / Jeremy Da Silva / Meter

First Steps / Jeremy Da Silva / Meter

Humans are the only mammal that walks on two legs โ€“ a unique trait that changed the course of our evolution and made us the dominant species on Earth. But how and why did we take that first step? And what was the cost?

Read More  
The Escort / Rene de Scati / Persimmon

The Escort / Rene de Scati / Persimmon

A fascinating literary document that describes the relationship that develops between a person dying of a terminal illness and those close to him - the terrible anxiety over the death of the patient himself and those around him, where a sick person becomes nothing more than a body - about the loss of privacy and insult.

Read More  
ืกื•ื“ ื”ื–ื™ื›ืจื•ืŸ ื”ืžืฆื•ื™ืŸ / ืขืจืŸ ื›ืฅ / ืžื•ื“ืŸ

ืกื•ื“ ื”ื–ื™ื›ืจื•ืŸ ื”ืžืฆื•ื™ืŸ / ืขืจืŸ ื›ืฅ / ืžื•ื“ืŸ

ื”ืžื”ื“ื•ืจื” ื”ืžื—ื•ื“ืฉืช ื”ื•ื ืกืคืจ ื™ื™ื—ื•ื“ื™ ื”ืžื‘ื•ืกืก ืขืœ ื ื™ืกื™ื•ื ื• ืฉืœ ืขืจืŸ ื›ืฅ, ืฉื™ืืŸ ื’ื™ื ืก ื•ืžื•ืžื—ื” ื‘ื™ื ืœืื•ืžื™ ืœืžื™ื•ืžื ื•ื™ื•ืช ื”ืžื•ื— ื•ื”ื–ื™ื›ืจื•ืŸ, ื”ืžื‘ื™ื ืืช ื”ืฉื™ื˜ื•ืช ื”ืžื•ืฆืœื—ื•ืช ื‘ื™ื•ืชืจ ืœืคื™ืชื•ื— ื–ื™ื›ืจื•ืŸ ืžืฆื•ื™ืŸ, ืฉื ื•ืกื• ื•ื”ื•ื›ื—ื• ื›ื™ืขื™ืœื•ืช ืขืœ ืกืžืš 2500 ืกื“ื ืื•ืช ื•-30 ืฉื ื•ืช ื ื™ืกื™ื•ืŸ ืขื ืžื’ื•ื•ืŸ ืฉืœ ืงื”ืœื™ื.

Read More  
ืื ืจืง ื”ื™ื™ืชื™ ืžื’ืœื” ืœื” / ืœื•ืจื” ื ื•ืœื™ืŸ / ื›ืชืจ

ืื ืจืง ื”ื™ื™ืชื™ ืžื’ืœื” ืœื” / ืœื•ืจื” ื ื•ืœื™ืŸ / ื›ืชืจ

โ€‹ืกื™ืคื•ืจ ื‘ืฉืœื•ืฉื” ืงื•ืœื•ืช ืขืœ ืื”ื‘ื”, ืขืœ ืื•ื‘ื“ืŸ ื•ืขืœ ืงืฉืจื™ื ืœื ืฆืคื•ื™ื™ื ืฉืžืจืคืื™ื ืื•ืชื ื•. ืœื•ืจื” ื ื•ึนืœึดื™ืŸ ื”ื™ื ืกื•ืคืจืช ื ื•ืขืจ ืืžืจื™ืงื ื™ืช. 'ืื ื”ื•ื ืจืง ื”ื™ื” ืื™ืชื™', ืกืคืจ ื”ื‘ื™ื›ื•ืจื™ื ืฉืœื”, ื›ื‘ืฉ ืืช ื”ื˜ื™ืงื˜ื•ืง ื‘ืกืขืจื” ื•ื”ื™ื” ืœืจื‘ึพืžื›ืจ ื‘ื™ื ืœืื•ืžื™. 'ืื ืจืง ื”ื™ื™ืชื™ ืžื’ืœื” ืœื”' ื”ื•ื ืกืคืจ ื”ื”ืžืฉืš.

Read More  
The Dead Are Silent / Arthur Schnitzler / Persimmon

The Dead Are Silent / Arthur Schnitzler / Persimmon

A pair of lovers, Emma and Franz, look out into the night from a bridge. Is their fate sealed there? A fascinating psychological journey into the hidden thoughts of a woman who betrays her husband and is forced to confront his penetrating gaze in a moment of crisis. This is the first prose text in which Schnitzler used the innovative writing style of an interior monologue.

Read More  
ืœื˜ืขื•ืช ื ื›ื•ืŸ / ืื™ื™ืžื™ ืื“ืžื•ื ื“ืกื•ืŸ / ืžื•ื“ืŸ

ืœื˜ืขื•ืช ื ื›ื•ืŸ / ืื™ื™ืžื™ ืื“ืžื•ื ื“ืกื•ืŸ / ืžื•ื“ืŸ

ืžื“ืจื™ืš ืžื”ืคื›ื ื™ ืฉื™ืฉื ื” ืืช ื”ื™ื—ืกื™ื ืฉืœื ื• ืขื ื›ื™ืฉืœื•ืŸ. ืœืฆื“ ืกื™ืคื•ืจื™ื ืžืขื•ืจืจื™ ื”ืฉืจืื” ืžืชื—ื•ืžื™ ื”ืขืกืงื™ื, ื”ื”ื™ืกื˜ื•ืจื™ื”, ืชืจื‘ื•ืช ื”ืคื•ืค ื•ืขื•ื“, ืื“ืžื•ื ื“ืกื•ืŸ ืžืœืžื“ืช ืžื™ื•ืžื ื•ื™ื•ืช ื•ื“ืคื•ืกื™ ื—ืฉื™ื‘ื” ื‘ื“ืจืš ืœืคื™ืชื•ื— ืกืงืจื ื•ืช, ืฆืžื™ื—ื” ื•ื”ืฆืœื—ื”. ืœืื•ืจืš ื”ืกืคืจ ืžืฉื•ื‘ืฆื•ืช ื“ื•ื’ืžืื•ืช ืฉืœ ื›ื™ืฉืœื•ื ื•ืช ืฉื”ื•ื‘ื™ืœื• ืœืœืžื™ื“ื”, ืœื—ืฉื™ื‘ื” ืžื—ื“ืฉ, ื•ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ ืœื”ืฆืœื—ื”.

Read More  
ืงืฉื™ืฉื™ื ื—ืกืจื™ ืžื ื•ื— / ืงืœื™ื™ืจ ืคื•ืœื™ / ื›ืชืจ

ืงืฉื™ืฉื™ื ื—ืกืจื™ ืžื ื•ื— / ืงืœื™ื™ืจ ืคื•ืœื™ / ื›ืชืจ

ื›ืฉืœื™ื“ื™ื” ื”ืชื—ื™ืœื” ืœืขื‘ื•ื“ ื›ืžื ื”ืœืช ืžื•ืขื“ื•ืŸ ืœื’ื™ืœ ื”ื–ื”ื‘, ื”ื™ื ื“ืžื™ื™ื ื” ืืช ืขืฆืžื” ืžื•ืงืคืช ื‘ื—ื‘ื•ืจื” ืฉืœ ืงืฉื™ืฉื™ื ื—ื‘ื™ื‘ื™ื, ื ืœื”ื‘ื™ื ื•ืืกื™ืจื™ ืชื•ื“ื”, ืฉื™ื‘ืœื• ืืช ื–ืžื ื ื‘ืฉืชื™ื™ืช ืชื” ื•ื‘ืžืฉื—ืงื™ ื‘ื™ื ื’ื• ืจื’ื•ืขื™ื. ืื‘ืœ ื”ื—ื‘ื•ืจื” ืฉืžืชื›ื ืกืช ืกื‘ื™ื‘ื” ื‘ื™ื•ื ื”ืจืืฉื•ืŸ ืฉื•ื ื” ืžืื•ื“ ืžืžื” ืฉืœื™ื“ื™ื” ืฆื™ืคืชื” ืœื•...

Read More  
ื”ืื™ืฉ ืฉืœ 6:20 / ื“ื™ื•ื•ื™ื“ ื‘ืืœื“ืืฆ'ื™ / ืžื•ื“ืŸ

ื”ืื™ืฉ ืฉืœ 6:20 / ื“ื™ื•ื•ื™ื“ ื‘ืืœื“ืืฆ'ื™ / ืžื•ื“ืŸ

ืžื“ื™ ื‘ื•ืงืจ ืขื•ืœื” ื˜ืจืื•ื•ื™ืก ื“ึถื•ื•ื™ืŸ ืœืจื›ื‘ืช ืฉืœ 6:20 ืœืžื ื”ื˜ืŸ, ื•ื ื•ืกืข ืœืขื‘ื•ื“ื” ืฉื”ื•ื ืžืชืขื‘ ื‘ื—ื‘ืจืช ื”ืฉืงืขื•ืช ื™ื•ืงืจืชื™ืช. ื“ื•ื•ื™ืŸ ืฉื™ืจืช ื›ืงืฆื™ืŸ ืžืขื•ื˜ืจ ื‘ืฆื‘ื ืขื“ ืฉืคืจืฉ ื‘ืคืชืื•ืžื™ื•ืช, ื•ืขืชื” ื”ื•ื ืื—ื“ ืžื”ืžืชืžื—ื™ื ื”ื–ื•ื˜ืจื™ื ื‘ืขื•ืœื ื”ืื›ื–ืจื™ ืฉืœ ืฉื•ืง ื”ื”ื•ืŸ. ื‘ื•ืงืจ ืื—ื“ ื ืžืฆืืช ื’ื•ืคืชื” ืฉืœ ืฉืจื” ื™ื•ึผื– ื‘ื‘ื ื™ื™ืŸ ืฉื‘ื• ื”ื•ื ืขื•ื‘ื“. ืžื” ืฉื ืจืื” ื‘ื”ืชื—ืœื” ื›ื”ืชืื‘ื“ื•ืช ืฉืœ ืขื•ื‘ื“ืช ืฉืœื ืขืžื“ื” ื‘ืœื—ืฅ, ืžืชื’ืœื” ื›ืจืฆื— ืžืชื•ื—ื›ื. ื“ื•ื•ื™ืŸ ื ื›ื ืก ืžื™ื™ื“ื™ืช ืœืจืฉื™ืžืช ื”ื—ืฉื•ื“ื™ื.

Read More  
ืฉื‘ื•ืขืช ืื™ืฉื” / ื’ืœื™ืœื” ืจื•ืŸ ืคื“ืจ ืขืžื™ืช / ืžื•ื“ืŸ

ืฉื‘ื•ืขืช ืื™ืฉื” / ื’ืœื™ืœื” ืจื•ืŸ ืคื“ืจ ืขืžื™ืช / ืžื•ื“ืŸ

ื‘ื ื•ืชื™ื”ืŸ ืฉืœ ื’ื™ื‘ื•ืจื•ืช ื”ืจื•ืžืŸ ื”ื”ื™ืกื˜ื•ืจื™ 'ื”ื›ืœื” ื”ืื—ืจืช' - ืฉื•ื‘ื•ืช ืœื‘, ืžืขื•ืจืจื•ืช ื”ืฉืจืื”, ื•ื ืื‘ืงื•ืช ื™ื—ื“ ื•ืœื—ื•ื“ ืขืœ ื–ื›ื•ืชืŸ ืœื”ื’ืฉื™ื ืืช ืขืฆืžืŸ ื•ืœื—ื™ื•ืช ืืช ื—ื™ื™ ื”ืื”ื‘ื” ืฉืœื”ืŸ ื›ืจืฆื•ื ืŸ. ื‘'ืฉื‘ื•ืขืช ืื™ืฉื”', ื›ืžื• ื‘ืจื‘ึพื”ืžื›ืจ 'ื”ื›ืœื” ื”ืื—ืจืช', ืžืžืฉื™ื›ื” ื’ืœื™ืœื” ืจื•ืŸึพืคื“ืจ-ืขืžื™ืช ืœื˜ื•ื•ืช ืืช ื”ืืคื•ืก ื”ืฆื™ื•ื ื™ ื“ืจืš ื ืงื•ื“ืช ืžื‘ื˜ืŸ ืฉืœ ื”ื ืฉื™ื, ื”ืื™ืžื”ื•ืช ื”ืžื™ื™ืกื“ื•ืช, ืฉื”ื•ื“ืจื• ืžืกืคืจื™ ื”ื”ื™ืกื˜ื•ืจื™ื”.

Read More  
ืœืขื‘ื•ื“ ืขื ื”ืกื™ื ื™ื / ืืžื™ืจ ื’ืœ ืื•ืจ / ื›ื™ื ืจืช

ืœืขื‘ื•ื“ ืขื ื”ืกื™ื ื™ื / ืืžื™ืจ ื’ืœ ืื•ืจ / ื›ื™ื ืจืช

ืžื™ ืฉืœื ืžื‘ื™ืŸ ืืช ืกื™ืŸ ื•ืืช ื”ื“ืจืš ื”ื ื›ื•ื ื” ืœืชืงืฉืจ ืขื ื”ืกื™ื ื™ื โ€“ ืคืฉื•ื˜ ืœื ืžื‘ื™ืŸ ืืช ื”ืขืชื™ื“. ืื– ืื™ืš ื™ื•ืฆืจื™ื ืงืฉืจื™ื ืขื ื”ืกื™ื ื™ื? ื›ื™ืฆื“ ื‘ื•ื ื™ื ืืžื•ืŸ ื‘ืขื•ืœื ืฉื‘ื• ื›ืœ ื›ืš ื”ืจื‘ื” ื—ื‘ื•ื™ ื‘ื™ืŸ ื”ืฉื•ืจื•ืช? ืžื”ื™ ื”ื“ืจืš ืœื ื•ื•ื˜ ื‘ื™ืŸ ื”ื”ื–ื“ืžื ื•ื™ื•ืช ื”ืขืกืงื™ื•ืช ื”ืื“ื™ืจื•ืช ืœื‘ื™ืŸ ื”ืกื™ื›ื•ื ื™ื ื”ื™ื™ื—ื•ื“ื™ื™ื ื‘ืฉื•ืง ื”ืžืฉืชื ื” ืฉืœ ืกื™ืŸ?

Read More